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news By Francis O'Gorman This quantity offers clean methods to vintage Victorian fiction from 1830 to 1900. which include a chain of unique essays written by way of popular experts within the box, it opens up the cultural global during which the Victorian novel used to be written and browse. The 12 individuals supply new views on how Victorian fiction pertains to a variety of vital modern contexts, together with category, sexuality, empire, psychology, legislations, visible tradition, biology and the stipulations of authorship. Their contributions go conventional disciplinary obstacles, permitting readers to appreciate the Victorian novel’s complicated engagements with different facets of nineteenth-century society.

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We could not understand, because we were too 11 Cannon Schmitt far and could not remember, because we were travelling in the night of first ages, of those ages that are gone, leaving hardly a sign – and no memories’ (p. 62). The ‘we’ of the statement, a motley assortment of Europeans working for the Belgian King Leopold’s colonial enterprise in central Africa, find themselves unable to comprehend the location of that enterprise because it is not a place in space so much as a place in time: ‘prehistoric’, ‘the night of the first ages’, the dark (mysterious, savage, ineffable) childhood of the human race.

Victorian epistemology encouraged the accumulation and interrogation of detailed material evidence; and the growing emphasis on gathering and analyzing the specifics of ordinary, everyday life in history and in the developing discipline of sociology – and on linking these specifics to patterns of cause and effect – is inseparable from the visual information offered to the reader of fiction. Yet at the same time, the variability of each recording eye was being increasingly noted. James Krasner, in The Entangled Eye, invites one to compare ‘certain landscapes described by post-Darwinian authors with those of midnineteenth-century novelists’ – Hardy is his most persuasive example, although fiction writers as diverse in voice as James and Gissing might serve as well.

Oxford and New York: Oxford University Press. Dickens, Charles (1846–8; 1999) Dombey and Son. Oxford and New York: Oxford University Press. 22 Empire in the Victorian Novel Eliot, George (1876; 1998) Daniel Deronda. Oxford and New York: Oxford University Press. —— (1872; 1998) Middlemarch. Oxford and New York: Oxford University Press. Fabian, Johannes (1983) Time and the Other: How Anthropology Makes its Object. New York: Columbia University Press. Fanon, Frantz (1963) The Wretched of the Earth.

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