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In Dearest Cousin Jane, a fascinating new novel that pulls on old truth, Jill Pitkeathley paints a luminous portrait of the true-life cousin of a literary legend—from her flirtatious more youthful years to her profound effect on one of many world's so much cherished authors. Free-spirited and seductive—outrageous, precocious, and a widely known flirt—Countess Eliza de Feuillide has an unquenchable thirst for all times and a glamorous air that captivates each person round her.
C. S. Lewis desired to identify his final novel “Bareface. ” Now Doris T. Myers’s Bareface offers a welcome examine of Lewis’s final, such a lot profound, and such a lot skillfully written novel, until eventually we've got Faces. even supposing many declare it truly is his most sensible novel, until eventually now we have Faces is an intensive departure from the delusion style of Lewis’s Chronicles of Narnia and The Screwtape Letters and has been much less well known than Lewis’s past works.
Within the 19th century, literary feedback first constructed into an self reliant, expert self-discipline within the universities. This quantity presents a entire and authoritative examine of the gigantic box of literary feedback among 1830 and 1914. In over thirty essays written from a extensive variety of views, foreign students study the expansion of literary feedback as an establishment, the key serious advancements in different nationwide traditions and in numerous genres, in addition to the main events of realism, naturalism, symbolism and decadence.
- Christmas Angel
- The Discourses of Food in Nineteenth-Century British Fiction
- Ashworth Hall
- The Far Side of the World (Aubrey Maturin Series)
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Concurrent with the rise of scholarship examining the socio-historical and cultural construction of British national identity, there has been renewed critical interest in this novel in recent years. Michael Ragussis employs Harringt01z to illustrate both the ongoing negotiation throughout the nineteenth century between British national identity and Jewish Emancipation, and the oppressively powerful nature of conversion as 'the literary and cultural master trope by which Jewish identity is represented and regulated' (Figures: 86).
The trope of the Jew as an uncanny or ghostlike figure is especially evident in cultural criticism. Tamar Garb has asserted, for example, that the Jew has long 'haunted the Gentile imagination', functioning alternately as its [Western Christian culture's] conscience, its alter ego, its abject, its Other' (20), and Bryan Cheyette has described the figure of the Jew as 'deeply embedded in the unconscious' (3). ', that the Jew is a type of Jungian archetype that emanated from the British collective unconscious.
In the wake of these varied studies of Gothic literature and the nation, I would contend that the Wandering Jew is a particularly exemplary figure upon which to focus my critical lens. Always cloaked in mystery and increasingly figured as a villain, the Wandering Jew does help to establish, generally by way of contrast, the image of the ideal Briton as characterized by 'masculinity, hygiene and citizenship'. Certain energies and ideas, however, cannot be entirely reined in. While this anti-citizen enables the consolidation of this ideal, he also contests it, thus assuming the role of what Jay Salisbury has playfully and adeptly described as the Wandering feu.