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The people called for more poetry and reprints of classics. Such a market actually helped the young writer to get published. 22 In the light of this need for reading material and the decrease in paper supply, it was perhaps inevitable that new literary magazines would flourish even though older ones collapsed . It is in the nature of the little magazines, writes Ian Hamilton, to believe that no one else can do what it is doing. 'Each magazine needs a new decade and each decade needs a new magazine.

3. The machine age exerted too strong an influence on art and prevented individual development of man. 4. Myth, as a personal means of reintegrating the personality, had been neglected and despised. Three anthologies sprung from these assertions: The New Apocalypse (1939) , The White Horseman (1941) and The Crown andthe Sickle (1945). The original contributors in 1938 included Henry Treece,]. F. Hendry, Norman MacCaig, Nicholas Moore, Philip O 'Connor, Robert Melville, and Dylan Thomas. The Apocalyptics and Dylan Thomas II 31 INFL UENCES AN D ANALOG U ES St alwartly defending man 's ind ivid ua lity in th e face of great dehuman izing forces, th e Apocalyp tics also a ppropria ted certa in ro mantic tende ncies fou nd in earlier write rs.

A dog/monster, a story of rape, a hammer - these are just three of a host of images portraying vicious actions and cruel instruments which destroy everyday domestic scenes in the novel. But perhaps the presentation of Act IV of the pageant best summarizes this horror. It is an Act meant to represent the present time (1939). Following the entrance of figures from the League of Nations, optimistic music foretells better times ahead. But then the tune changes and the promising future is cut off: 'Snapped, broke; jagged ..

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